CV/Resume
CREDITS
Picture This: Aphantasia and the Arts (2022 — Northern Film School)
This is Where it Ends (2023 — Northern Film School)
CONVERSION: Or How to Please Others by Destroying Yourself (2023 — Northern Film School)
Salt Kills (2024 — Northern Film School in association with Kodak/NAHEMI)
Blizzard Conditions (in pre-production — Tower VXI Productions)
Picture This: Aphantasia and the Arts (2022 — Northern Film School)
This is Where it Ends (2023 — Northern Film School)
CONVERSION: Or How to Please Others by Destorying Yourself (2023 — Northern Film School)
Salt Kills (2024 — Northern Film School in association with Kodak/NAHEMI)
N.E.S.T. (2025 — Ember Productions)
Blizzard Conditions (in pre-production — Tower XVI Productions)
Spec Scripts:
The Butcher (crime thriller)
The Pavilion (psychological horror)
Vigil (crime thriller)
Lost not Found (absurdist drama)
Post Hoc (crime thriller)
Heresies (drama)
Producer
Picture This: Aphantasia and the Arts (2022 — Northern Film School)
CONVERSION: Or How to Please Others by Destroying Yourself (2023 — Northern Film School)
First Assistant Director
Penitence (2024 — Northern Film School)
Associate Producer
Penitence (2024 — Northern Film School)
Script Supervisor
ANGUILLA (2024 — Northern Film School)
Sound Designer
CONVERSION: Or How to Please Others by Destroying Yourself (2023 — Northern Film School)
ATTU (2024 — Northern Film School)
A Ballad of Blood and Bones (2024 — Northern Film School)
Penitence (2024 — Northern Film School)
How to Remember (in post production)
Dubbing Mixer
This is Where it Ends (2023 — Northern Film School)
Misdirection (2023 — Northern Film School)
Eulogy (2024 — Northern Film School)
Colourist
This is Where it Ends (2023 — Northern Film School)
CONVERSION: Or How to Please Others by Destroying Yourself (2023 — Northern Film School)
Co-Editor
Picture This: Aphantasia and the Arts (2022 — Northern Film School)
CONVERSION: Or How to Please Others by Destorying Yourself (2023 — Northern Film School)
First Assistant Camera
The Devil’s Eye (2024 — Northern Film School)
ATTU (2024 — Northern Film School)
A Ballad of Blood and Bones (2024 — Northern Film School)
Second Assistant Camera
Kate is Sad (2023 — Northern Film School)
Untitled Crunchits Commercial (2023 — Northern Film School in association with Kodak/NAHEMI)
SKILLS
Expert typist and writer, strong communication skills across different forms of media, attention to detail, adaptable and a fast learner. Skilled in the Microsoft suite, including outlook, teams, excel, and words.
Fluent in English and Spanish.
Accustomed to the format of screenplays, as well as radio-plays, American and European stage-play styles, and documentary screenplays, with experience writing in each category.
Detailed descriptive writing, having written a novel, multiple screenplays, poetry, and several stage-plays.
Experience adapting prose into screenplay frormat.
Experience writing covers and treatments for screenplays, as well as series bibles to accompany episode pilots.
As a writer of biopics and historical fiction, Cole has experience with rigorous historical research, compilation of notes and timelines, and communication with experts to base historical works in their accurate world.
Time spent as an actor, and studied acting schools of Stanislavski, Adler, Chekhov, and Meisner.
Directed across genres, including horror, drama, advertisement, and documentary. Has also directed for stage plays.
Knowledgable in multiple areas, thus can communicate ideas to other departments effectively.
Bachelor of Arts with a minor focus in Directing.
Has experience both as a sound recordist and sound designer. Has worked as both a foley artist and foley recordist.
Experience in stereo, 5.1, 7.1, 7.1.2, and Dolby Atmos.
Excels on Pro Tools, Logic Pro, and Fairlight.
Trained for Audiate’s Dante.
Experience using Avid’s s1, s4, and s6.
Trained composer with an in depth understanding of music theory, and the practice of placement of music in film.
Bachelor of Arts in Filmmaking, with a major focus in Sound Design.
Experienced photographer. Has focus pulled for three projects, and is familiar with manually focusing, and well versed in using the Tilta Nucleus-M.
Has experience working with film — including loading and measuring for focus.
Rigorous attention to detail for camera reports.